Compare two music promos

Creating a memorable music video is much analogous break withgrowth an unusual moustache. It takes patience and nerve. During the early planning stages it may be difficult to perceive exactly what the finished tache allow for look like. The growing period may be arduous, drawn come forth. The moustaches grower may be tempted by the easy clichs of fashion to compromise their original design. exactly if he or she stays the course, rebrinying unbent to their vision, they will doubtless create something unique. While the finished moustache may not be to everybodys taste, it will stand divulge. It will entertain. It will provoke. It will inspire a true original amid a tangled woodwind of more conventional styles.medicine video production company Colonel BlimpEssay title Comp atomic number 18 and line two music videos from two different genres.The two videos I am going to compargon are a new and up immersion mechanic from Londons underground scene, Kano with the video for Ps a nd Qs an underground a anthem that marks the mainstream break through for dirty and UK hip hop and a very comical flock long D with the video for WounderBoy, whos main singer and founder of the band is a easy cognise and adept comedian Jack dark.The band who are responsible for songs such(prenominal) as Fu*k Her Gently like to be keep an eye onn as funny and not to be taken to seriously. Such a contrast between the band and the artist it is quite obvious that both videos are not going to be alike and great for comparing and contrasting.Kanos Ps and Qs promo is directed by Alistair Siddons, an up incoming director who works for the production company Colonel Blimp. He is well known in his chosen genre of music underground UK grime and hip hop and has directed videos for advancedly respected bands and artists in that scene, such as The Streets, Roots Manuva and Crazy Titch. He tends to work with artists on a low budget although he does still continue to work with his arti sts at a while they have become more popular and have a large budget. He is becoming increasingly well known and has recently won four awards for his work at this years Underground Music Awards. coherent D decided to use Spike Jonze, a well respected guide and music video director, largely credited for his work in smash hit films Being John Malkovich and Adaptation. However Jonze also remains a innovator in the knowledge domain of music videos, and for many years has been best known as an award winning music video, short film and commercialised director. One of his most famous promo s being Fatboy Slims Praise You, in which Jonze stars as himself. Unlike Siddons, Jonze does not have preferable genre in which the videos he directs and has directed for a wide variety of musical styles and genres, from pelvic arch Hops Notorious B.I.G to digital, electro pop band Daft Punk.Ps and Qs establishing shot is at a tilted, low angle looking up at high rise city building, which has a lot of glass and reflection from roadway lamps, we discount see that it is at night. There is fast, snappy editing that goes with the songs digitally modified beats and we can see more images of London and local anaesthetic streets that are graffitied and littered. This adds to the mise en scene of the video and gives an impression and have of urban decay. Just before the lyrics start we can see Kano walk out from the darkness of an alley and into the light from a street lamp. He walks towards the photographic television camera and begins to rap (as though he is talking) to us. The camera begins to track backwards with Kano walk forward to us Kano appears to be moving with the camera, as though he is on the tripod.Tenacious Ds video opens as though it were a film, with assign informing whom the director and the band is, the background is of the nights sky and we can see that it is snowing. The establishing shot is of tall snow mountains and a forest, the camera moves qui ckly into the forest and we can see the bands main singer Jack Black sit down on a log. As the lyrics begin Jack starts to sing hammyally further serious already we can sense intertextual reference to the world famous film, captain Of The Rings. Editing is slow and typical of a dream/adventure film, camera shots are also very filmic e.g. extreme finish ups of Jack Black, and large birds eye view shots, that quickly sweep over scenery and closely focus on characters. I also feel that the video has been shot in double time or time and a half to create a slow motion feel.As Kanos promo continues, we see more tall building projects, estates and back streets. Through out the video Kano appears to be on his own travelling through out London. The film seems to have a dark green wash over it as the video appears to be off coloured and darker than it should be, this also adds to the mise en scene of the promo and creates a atmosphere that is not overtly scary but menacing. The places that Kano travels through appear to be slightly threatening and the viewers scratch themselves relieving that they are not walking through these places on their Ps (On their own). The viewer can see that this video is on a lower budget compared to Tenacious Ds WonderBoy and does not have such graphic storyline or the assume for great acting skills, however Kanos lyrical content mixed with pertinent camera and editing tricks make up for the lack of story boarding.Tenacious Ds promo develops a story line that the viewer can follow through the bands actions, their impressive acting skills and the songs lyrics, which sing about WonderBoy and his evil archenemy Young atrocious man. Through out the video we see WonderBoy (played by Jack Black) sit down in the forest reciting lyrics, he begins to move as he sings and the camera tracks crumb him, as WonderBoy dramatically turns around, we see his evil competitor, Young fetid man (played by the bands other member Kyle Glass ). Shots are slow and dramatic with a lot of use of fade editing. During the song we approach a verse that is spoken (and shouted) by Black, the promo at this verse fades into a picturesque view of Snow Mountains with Black and Glasss faces faded on hint of the picture.This is a technique apply in The Lord Of The Ring films and is usually used to show what the character is thinking about or the scene that he is creating with words. We see extravagant sets of icy snow deserts and the camera tracks behind Black on what seems to be a quest. Filming is slow and dreamy. The upstanding promo only actually uses 92 different camera shots most of which are faded into each other, compared to Kanos Ps and Qs which uses a mass of 156 different camera shots which are fast, snappy and edgy (and maybe dangerous for someone who has epilepsy).In destruction both promos are incredibly unique and directed to the highest standards, none part than the other but just of remarkably different genres a nd styles. Kanos promo pushes boundaries and throws out stereo typical clichs of American, gangster Hip Hop with jewellery, woman and drugs. It to a fault illustrates the wider shift in the way Garage and Grime music is incrementally development from disposable dance floor music into a far deeper and incessantly more subtle medium capable of expressing the turbulent inner conduct of Britains excluded urban underclass a demographic discovering their own identity and part through microphones, cheap computer technology and the sawn-of idiom of pirate music.In turn Tenacious Ds WonderBoy offers amazing direction from Jonze and incredible theatrical performances from Black and Glass. A comical, tho serious parody lampooning a contemporary media phenomenon The Lord Of The Rings and at the same time tells a humorous tale of how the band was started. Many critics and viewers found The Lord Of The Rings to worthy and pompous yet Tenacious D and Spike Jonze saw this opportunity to s uccessfully bemock it.