Thursday, February 7, 2019
Casablanca and Nineteen Eighty-Four (1984) :: Nineteen Eighty-Four 1984 Essays
Casablanca and Nineteen Eighty-Four (1984) How can a hero survive in a world gone crazy? Both Casablanca, the classic 1940s film, and 1984, a piece of classic literary works by George Orwell, revolve around a world in chaos, where it is unrealizable to trust anyone, and a war wages on within and without. In 1984, the protagonist, Winston, hides from a totalitarian, thought controlling government, that is out to stomp out all(prenominal) aggression against the Party. In Casablanca, the lead character, Rick, dealt with a world rocked by the impacts of creation War II, where everyone was a spy, and even the spies were spied on. Both wish for fancy and endurance in their mutually exclusive worlds, yet only Rick visualises hope in his. Winston dies with utter hopelessness, where no one leave behind ever bang of his life or deeds, yet he dies a hero. Rick is a cynic, tossed into a chaotic yet ro adult maletic world, and comes forth victorious. In Casablanca, we erupt w ith a feeling of hope, and joy, that the forces of good can win, and that eventually we will gloat over our enemies, wherever or whatever they may be. While slochky and romantic, Casablanca is a touching movie, and probably one of the best ever made. 1984 on the another(prenominal) hand, is a deep psychological thriller. In the world of utter thought-control, we find that even a strong hero such as Winston, is touch down by the party, for simply being alive, and that the virtuosity within humanity will eventually be overcome by our greed and lust. Their struggles ar that of man against the oppressor. Both 1984 and Casablanca deal with a world gone mad, and the struggles of not-so-ordinary people. Oftentimes, parallels can be made between characters in the two. Renault can be compared with OBrien, because both are double agents in their own ways, and one never knows for which side they work for. Of course, in the end OBrien is an agent of the Party, and Renault is a sympatheti c Frenchman, who befriends Rick - Louis, this is the beginning of a beautiful friendship. Sam of course, is stability. He cant be bought or sold, and is seemingly a constant, always there and never too deep into the problems of the world. Sam represents the unworried aspect in all of us, the feeling that wed just as shortly turn our attention away from the war and hum a tune.
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